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I come into the peace of wild things who do not tax their lives
with forethought of grief. I come into the presence of still water.
And I feel above me the day-blind stars waiting with their light.
For a time I rest in the grace of the world, and am free. The poems
of Wendell Berry invite us to stop, to think, to see the world
around us, and to savour what is good. Here are consoling verses of
hope and of healing; short, simple meditations on love, death,
friendship, memory and belonging; luminous hymns to the land, the
cycles of nature and the seasons as they ebb and flow. Here is the
peace of wild things.
In a culture that prizes keeping one's options open, making
commitments offers something more valuable. The consumerism and
instant gratification of "liquid modernity" feed a general
reluctance to make commitments, a refusal to be pinned down for the
long term. Consider the decline of three forms of commitment that
involve giving up options: marriage, military service, and monastic
life. Yet increasing numbers of people question whether
unprecedented freedom might be leading to less flourishing, not
more. They are dissatisfied with an atomized way of life that
offers endless choices of goods, services, and experiences but
undermines ties of solidarity and mutuality. They yearn for more
heroic virtues, more sacrificial commitments, more comprehensive
visions of the individual and common good. It turns out that the
American Founders were right: the Creator did endow us with an
unalienable right of liberty. But he has endowed us with something
else as well, a gift that is equally unalienable: desire for
unreserved commitment of all we have and are. Our liberty is given
us so that we in turn can freely dedicate ourselves to something
greater. Ultimately, to take a leap of commitment, even without
knowing where one will land, is the way to a happiness worth
everything. On this theme: - Lydia S. Dugdale asks what happened to
the Hippocratic Oath in modern medicine. - Caitrin Keiper looks at
competing vows in Victor Hugo's Les Miserables. - Kelsey Osgood, an
Orthodox Jew, asks why lifestyle discipline is admired in sports
but not religion. - Wendell Berry says being on the side of love
does not allow one to have enemies. - Phil Christman spoofs the New
York Times Vows column. - Andreas Knapp tells why he chose poverty.
- Norann Voll recounts the places a vow of obedience took her. -
Carino Hodder says chastity is for everyone, not just nuns. - Dori
Moody revisits her grandparents' broken but faithful marriage. -
Randall Gauger, a Bruderhof pastor, finds that lifelong vows make
faithfulness possible. - King-Ho Leung looks at vows, oaths,
promises, and covenants in the Bible. Also in the issue: - A young
Black pastor reads Clarence Jordan today. - Activists discuss the
pro-life movement after Roe and Dobbs. - Children learn from King
Arthur, Robin Hood, and the occasional cowboy. - Original poetry by
Ned Balbo - Reviews of Montgomery and Bikle's What Your Food Ate,
Mohsin Hamid's The Last White Man, and Bonnie Kristian's
Untrustworthy - A profile of Sadhu Sundar Singh Plough Quarterly
features stories, ideas, and culture for people eager to apply
their faith to the challenges we face. Each issue includes in-depth
articles, interviews, poetry, book reviews, and art.
Fifty-two readings to spark weekly group discussion on putting
Jesus' most central teachings into practice. Jesus' most famous
teaching, the Sermon on the Mount, possesses an irresistible
quality. Who hasn't felt stirred and unsettled after reading these
words, which get to the root of the human condition? This follow-up
to the acclaimed collection Called to Community: The Life Jesus
Wants for His People taps an even broader array of sources,
bringing together prophetic voices from every era and a range of
traditions to consider the repercussions of these essential words.
More than a commentary or devotional, this book is designed to be
read together with others, to inspire communities of faith to
discuss what it might look like to put Jesus' teachings into
practice today.
For five decades Wendell Berry has been a poet of great clarity and
purpose. He is an award-winning writer whose imagination is
grounded by the pastures of his chosen place and the rooms and
porches of his family's home. In Given  his first collection of
new poems in ten years now in paperback  the work is as rich and
varied as ever before. With his unmistakable voice as the constant,
he dexterously maneuvers through a variety of forms and themes Â
political cautions, love poems, a play in verse, and a long series
of  Sabbath Poems" that resulted from Berry's recent Sunday
morning walks of meditation and observation.Berry's work is one of
devotion to family and community, to the earth and her creatures,
to the memories of the past, and the hope of the future. His
writing stands alongside the work of William Carlos Williams and
Robert Frost as a rigorous American testament.
Berry's Sabbath poems embrace much that is elemental to human
life--beauty, death, peace, and hope.In his preface to the
collection, Berry writes about the growing audience for public
poetry readings. While he sees poetry in the public eye as a good
thing, Berry asks us to recognize the private life of the poem.
These Sabbath poems were written "in silence, in solitude, and
mainly out of doors," and tell us about "moments when heart and
mind are open and aware."Many years of writing have won Wendell
Berry the affection of a broad public. He is beloved for his quiet,
steady explorations of nature, his emphasis on finding good work to
do in the world, and his faith in the solace of family, memory, and
community. His poetry is assured and unceasingly spiritual; its
power lies in the strength of the truths revealed.
In 1969 Gary Snyder returned from a long residence in Japan to
northern California, to a homestead in the Sierra foothills where
he intended to build a house and settle on the land with his wife
and young sons. He had just published his first book of essays,
Earth House Hold. A few years before, after a long absence, Wendell
Berry left New York City to return to land near his grandfather's
farm in Port Royal, Kentucky, where he built a small studio and
lived there with his wife as they restored an old house on their
newly acquired homestead. In 1969 Berry had just published
Long-Legged House. These two founding members of the counterculture
and of the new environmental movement had yet to meet, but they
knew each other's work, and soon they began a correspondence.
Neither man could have imagined the impact their work would have on
American political and literary culture, nor could they have
appreciated the impact they would have on one another.Snyder had
thrown over all vestiges of Christianity in favor of becoming a
devoted Buddhist and Zen practitioner, and had lived in Japan for a
prolonged period to develop this practice. Berry's discomfort with
the Christianity of his native land caused him to become something
of a renegade Christian, troubled by the church and organized
religion, but grounded in its vocabulary and its narrative.
Religion and spirituality seemed like a natural topic for the two
men to discuss, and discuss they did.They exchanged more than 240
letters from 1973 to 2013, remarkable letters of insight and
argument. The two bring out the best in each other, as they grapple
with issues of faith and reason, discuss ideas of home and family,
worry over the disintegration of community and commonwealth, and
share the details of the lives they've chosen to live with their
wives and children. Contemporary American culture is the landscape
they reside on. Environmentalism, sustainability, global politics
and American involvement, literature, poetry and progressive
ideals, these two public intellectuals address issues as broad as
are found in any exchange in literature.No one can be unaffected by
the complexity of their relationship, the subtlety of their
arguments, and the grace of their friendship. This is a book for
the ages.
In twenty short books, Penguin brings you the classics of the
environmental movement. From the ravages of the global economy to
the great pleasures of growing a garden, Wendell Berry's powerful
essays represent a heartfelt call for humankind to mend our broken
relationship with the earth, and with each other. Over the past 75
years, a new canon has emerged. As life on Earth has become
irrevocably altered by humans, visionary thinkers around the world
have raised their voices to defend the planet, and affirm our place
at the heart of its restoration. Their words have endured through
the decades, becoming the classics of a movement. Together, these
books show the richness of environmental thought, and point the way
to a fairer, saner, greener world.
The Selected Poems of Wendell Berry gathers one hundred poems
written between 1957 and 1996. Chosen by the author, these pieces
have been selected from each of nine previously published
collections. The rich work in this volume reflects the development
of Berry's poetic sensibility over four decades. Focusing on themes
that have occupied his work for years--land and nature, family and
community, tradition as the groundwork for life and culture-- The
Selected Poems of Wendell Berry celebrates the broad range of this
vital and transforming poet.
Since its publication by Sierra Club Books in 1977, The Unsettling
of America has been recognized as a classic of American letters. In
it, Wendell Berry argues that good farming is a cultural
development and spiritual discipline. Today's agribusiness,
however, takes farming out of its cultural context and away from
families. As a result, we as a nation are more estranged from the
land from the intimate knowledge, love, and care of it.Sadly, his
arguments and observations are more relevant than ever. We continue
to suffer loss of community, the devaluation of human work, and the
destruction of nature under an economic system dedicated to the
mechanistic pursuit of products and profits. Although  this book
has not had the happy fate of being proved wrong," Berry writes,
there are good people working  to make something comely and
enduring of our life on this earth." Wendell Berry is one of those
people, writing and working, as ever, with passion, eloquence, and
conviction.
'He is unlike anybody else writing today ... After Donald Trump's
election, we urgently need to rediscover the best of radical
America. An essential part of that story is Wendell Berry. Few of
us can live, or even aspire to, his kind of life. But nobody can
risk ignoring him' Andrew Marr 'Wendell Berry is the most important
writer and thinker that you have (probably) never heard of. He is
an American sage' James Rebanks, author of The Shepherd's Life
Wendell Berry is 'something of an anachronism'. He began his life
as the old times and the last of the old-time people were dying
out, and continues to this day in the old ways: a team of work
horses and a pencil are his preferred working tools. The writings
gathered in The World-Ending Fire are the unique product of a life
spent farming the fields of rural Kentucky with mules and horses,
and of the rich, intimate knowledge of the land cultivated by this
work. These are essays written in defiance of the false call to
progress, and in defence of the local landscapes that provide our
cultural heritage, our history, our home. In a time when our
relationship to the natural world is ruled by the violence and
greed of unbridled consumerism, Wendell Berry speaks out to defend
the land we live on. With grace and conviction, he shows that we
simply cannot afford to succumb to the mass-produced madness that
drives our global economy. The natural world will not withstand it.
Yet he also shares with us a vision of consolation and of hope. We
may be locked in an uneven struggle, but we can and must begin to
treat our land, our neighbours, and ourselves with respect and
care. We must, as Berry urges, abandon arrogance and stand in awe.
Sabbath is one day a week when we should rest from our otherwise
harried lives, right? In "Living the Sabbath," Norman Wirzba leads
us to a much more holistic and rewarding understanding of
Sabbath-keeping. Wirzba shows how Sabbath is ultimately about
delight in the goodness that God has made--in everything we do,
every day of the week. With practical examples, Wirzba unpacks what
that means for our daily lives at work, in our homes, in our
economies, in school, in our treatment of creation, and in church.
This book will appeal to clergy and laypeople alike and to all who
are seeking ways to discover the transformative power of Sabbath in
their lives today.
First published in 1971, The Country of Marriage is Wendell Berry's
fifth volume of poetry. What he calls an expansive metaphor is a
farmer's relationship to his land as the basic and central relation
of humanity to creation. Similarly, marriage is the basic and
central community tie; it begins and stands for the relation we
have to family and to the larger circles of human association. And
these relationships are in turn basic to, and may stand for, our
relationship to God and to the sustaining mysteries and powers of
creation.
Each of the thirty-five poems in this collection is concerned with
this metaphor. The long sequence that is itself entitled The
Country of Marriage, perhaps the finest single work in the book, is
a grave, moving, and beautifully wrought love poem. But the shorter
lyrics have an equal grace and beauty--writing that contains the
exhilarating lucidity of mountain spring water. And there are most
notably, several more poems about the Mad Farmer, who advises us
here to 'every day do something that won't compute.'
Berry has here perfected a work that is immediately accessible but
that becomes, as we read it again, always more satisfying,
reverberant with manifold meanings.
Discerning the political import of complex current events requires
great urgency, clarity, and care. Nothing less than the future of
our nation is at stake. Wendell Berry's "Citizenship Papers,"
collecting nineteen essays, is a ringing alarm, a call for
resistance and responsibility, and a reminder of how fragile our
commonwealth has become at the dawn of the twenty-first century.
"We are encouraged to believe that the governments and corporations
of the affluent parts of the world are run by people using rational
processes to make rational decisions. The dominant faith of the
world in our time is rationality. That in an age of reason, the
human race, or the most wealthy and powerful parts of it, should be
behaving with colossal irrationality ought to make us wonder if
reason alone can lead us to do what is right." "from" "Two
Minds"
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The Farm (Hardcover)
Wendell Berry, Carolyn Whitesel
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R494
R398
Discovery Miles 3 980
Save R96 (19%)
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'Do I wish to keep up with the times? No. My wish simply is to live
my life as fully as I can' The great American poet, novelist and
environmental activist argues for a life lived slowly. Penguin
Modern: fifty new books celebrating the pioneering spirit of the
iconic Penguin Modern Classics series, with each one offering a
concentrated hit of its contemporary, international flavour. Here
are authors ranging from Kathy Acker to James Baldwin, Truman
Capote to Stanislaw Lem and George Orwell to Shirley Jackson;
essays radical and inspiring; poems moving and disturbing; stories
surreal and fabulous; taking us from the deep South to modern
Japan, New York's underground scene to the farthest reaches of
outer space.
Jayber Crow, born in Goforth, Kentucky, orphaned at age ten, began
his search as a "pre-ministerial student" at Pigeonville College.
There, freedom met with new burdens and a young man needed more
than a mirror to find himself. But the beginning of that finding
was a short conversation with "Old Grit," his profound professor of
New Testament Greek. "You have been given questions to which you
cannot be given answers. You will have to live them out perhaps a
little at a time." "And how long is that going to take?" "I don't
know. As long as you live, perhaps." "That could be a long time."
"I will tell you a further mystery," he said. "It may take
longer."Eventually, after the flood of 1937, Jayber becomes the
barber of the small community of Port William, Kentucky. From
behind that barber chair he lives out the questions that drove him
from seminary and begins to accept the gifts of community that
enclose his answers. The chair gives him a perfect perch from which
to listen, to talk, and to see, as life spends itself all around.
In this novel full of remarkable characters, he tells his story
that becomes the story of his town and its transcendent membership.
For nearly thirty-five years, Wendell Berry has been at work on a
series of poems occasioned by his solitary Sunday walks around his
farm in Kentucky. From riverfront and meadows, to grass fields and
woodlots, every inch of this hillside farm lives in these poems, as
do the poet's constant companions of memory and occasion, family
and animals, who have with Berry created his Home Place with love
and gratitude.
These are poems of spiritual longing and political extremity,
memorials and celebrations, elegies and lyrics, alongside the
occasional rants of the Mad Farmer, pushed to the edge yet again by
his compatriots and elected officials.
With the publication of this new complete edition, it has become
increasingly clear that The Sabbath Poems have become the very
heart of Berry's entire work. And these magnificent poems, taken as
a whole, have become one of the greatest contributions ever made to
American poetry.
"Ignorant boys, killing each other," is just about all Nathan
Coulter would tell his wife, friends, and family about the Battle
of Okinawa in the spring of 1945. Life carried on for the community
of Port William, Kentucky, as some boys returned from the war and
the lives of others were mourned. In her seventies, Nathan's wife,
Hannah, has time now to tell of the years since the war. In Wendell
Berry's unforgettable prose, we learn of the Coulter's children, of
the Feltners and Branches, and how survivors "live right on."
More than thirty-five years ago, Wendell Berry began spending his
sabbaths outdoors, when the weather allowed, walking and wandering
around familiar territory, seeking a deep intimacy only time could
provide. These walks sometimes yielded poems. Each year since, he
has completed a series of these poems dated by the year of its
composition. This new sequence provides a virtual syllabus for all
of Berry's cultural and agricultural work in concentrated form.
Many of these poems, including a sequence at mid-year of 2014, were
written on a small porch in the woods, a place of stillness and
reflection, a vantage point "of the one / life of the forest
composed / of uncountable lives in countless / years, each life
coherent itself within / the coherence, the great composure, of
all." Recently Berry has been reflecting on more than a half
century of reading, to discover and to delight in the poetical,
spiritual, and cultural roots of his work. In The Presence of
Nature in the Natural World, Berry's survey begins with Alan of
Lille's twelfth-century work, The Plaint of Nature. The from the
Bible through Chaucer, from Milton to Pope, from Wordsworth to the
moderns, Berry's close reading is exhilarating. Moving from the
canon of poetry to the sayings and texts found in agricultutre and
science, closely presented, we gain new appreciation for the
complexity of the issues faced in the twenty-first century by the
struggling community of humans on earth. With this long essay
appended to these new Sabbath Poems, the result is an unusual book
of depth and engagement. A new collection of Wendall Berry poems is
always an occasion for celebration, and this eccentric gatheirng is
especially so.
"Andy Catlett" is the latest installment in Wendell Berry's "Port
William" series, a distinct set of stories that Berry has been
telling now for 50 years. Set during the Christmas of 1943,
nine-year-old Andy Catlett sets off to visit his grandparents in
Port William by bus, by himself for the first time. For Andy this
is a rite of passage, his first step into manhood. His experiences
on this solitary voyage become pivotal points in the entire Port
William epic. The old ways are in retreat, modern life is crowding
everything in its path, and as Andy looks back many years later, he
hears the stories again of his neighbors and friends. A beautiful
short novel, now in paperback, "Andy Catlett" is a perfect
introduction to the whole world of Port William, and will be a rich
new installment for those already familiar with this unfolding
story.
 If we fail to do what is required and if we do what is forbidden,
we exclude ourselves from the mercy of Nature; we destroy our
place, or we are exiled from it."The essays of Wendell Berry are an
extended conversation about the life he values; sustainable
agriculture, a connection to place, the miracle of life, and the
interconnectedness of all things. The existence of this life is
dependent on our devotion to preserving it, an emotional proximity
to the land that is slipping away from us.In six elegant, linked
literary essays, Berry considers the degeneration of language that
is manifest throughout our culture, from poetry to politics, from
conversation to advertising, and he shows how the ever-widening
cleft between the words and their referents mirrors the increasing
isolation of individuals and their communities from the land. With
his confident and unwavering prose, Berry assesses how the gap
between modern communities and nature grew so large, how we may
bridge it, and the role language plays in facilitating both
parts.Standing by Words joins our new series, which celebrates the
collected essays of Wendell Berry in beautiful, uniform editions.
Set against the turmoil of the World War II, "A World Lost" is just
one of the classic chapters in Berry's "Port William" series. The
summer of 1944 finds nine-year-old Andy Catlett in that very town
in Kentucky, occupied more with watching meadowlarks and dipping
into the nearby spring than with the weary news of the day. But
when his Uncle Andrew is murdered, Andy confronts his own sense of
culpability for the brawl that took his uncle's life. Told from
Andy's perspective some 50 years later, the novel explores the
gripping power of memory, even after decades have passed -- and
asks each of us what in our own pasts we might have remedied.
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